![]() For example for the notes f and g, when playing with the help of a trombone position chart, the note f is always played on the sixth position. Like this, the positions that have to be played will arise automatically. You only have to make sure that the two tones can be played without detours, so without a countermovement. The patterns change with the musical scales (for example minor scales) but then are the same for all the minor scales. Of course, these are drafted to scale on the ETSP Chart shown previously. For reference, I list them here, to the nearest millimetre. The combination in major musical scales, when upwards, is always: whole tone, semitone, whole tone, semitone and downwards: semitone, whole tone, semitone, whole tone. The Everett chart does not show the actual lengths of the respective extensions. Often it is easier to keep a combination of numbers in mind if you refer it to a certain symbolism (ATM machine/Smartphone etc.) The idea behind playing according to a trombone position chart is that musical scales which run upward, always make a movement upward and vice versa. For example for musical scales, the trombone position chart is helpful in transferring mechanical motion sequences into another tonality. I would also practice a lot using octaves. ![]() For the course of the melody, it is often favorable to keep an eye on the tone after next, in order to get an optimal movement pattern. The first 3 or 4 position pedal tones should generally be playable, and practicing them might help make the Eb not feel so low to you and give you a sense of the range of looseness your lips should have (that is, somewhere in between low E and pedal Bb). Depending on this, the motion is either favorable or not. Going up, the 3rd scale degree is flat, but the rest is like a major scale, and going down it is the same as a natural minor scale. Musical scales that start on the first position, always have a motion to the front, no matter if they go up or down. The Melodic minor scale is different on the way up the scale than on the way down the scale. ![]() Motion sequences – musical scales from the first position ![]()
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